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Dharmaveer 2 Review: A Political Drama with strong performances but weak storyline

Dharmaveer 2 Review: Mukkam Post Thane 2, the sequel to the 2022 biopic about Shiv Sena leader Anand Dighe. While the first film was a balanced mix of a biographical narrative and commercial entertainment, this sequel takes a completely different...
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Dharmaveer 2 Review

Dharmaveer 2 Review: Mukkam Post Thane 2, the sequel to the 2022 biopic about Shiv Sena leader Anand Dighe. While the first film was a balanced mix of a biographical narrative and commercial entertainment, this sequel takes a completely different direction. It feels less like a film and more like a prolonged campaign for Maharashtra's upcoming assembly elections, focusing heavily on Eknath Shinde.

Also Read: Taaza Khabar 2 Review: Bhuvan Bam’s performance lifts an ambitious yet flawed season

Plot Overview of 'Dharmaveer 2'

The film runs two parallel tracks—one set in 2022 when Eknath Shinde (played by Kshitish Date) is part of the Maha Vikas Aghadi government, and the other flashing back to the life and decisions of Anand Dighe (reprised by Prasad Oak). The narrative kicks off with the real-life incident of the lynching of two sadhus in Palghar, which triggers Shinde's dissatisfaction with the government's handling of state issues.

Throughout the film, the flashback track revisits how Dighe tackled various challenges, while the present-day track increasingly centers on Shinde’s actions and leadership. From being disappointed in the government's handling of events to his role during the deadly second wave of COVID-19, Shinde is portrayed as a heroic figure who helped the state overcome its oxygen crisis.

Political Undertones

The film quickly becomes more of a political statement than a story. It's evident that the makers aim to position Eknath Shinde as a strong, decisive leader, with numerous jabs at Uddhav Thackeray’s MVA government. The script is filled with political references, including unnamed potshots at Thackeray, Congress, and the Nationalist Congress Party (NCP).

The narrative also panders to a specific section of the audience by frequently using symbols of Hindu pride. References to Vinayak Damodar Savarkar and Nathuram Godse through staged plays, and accusations that Bollywood films misrepresent Hinduism, all serve to stoke the emotions of the party's base.

Strong Performances from the Cast

Despite its shortcomings, the performances by Prasad Oak and Kshitish Date are among the few highlights. Oak continues his strong portrayal of Dighe, seamlessly switching between fearsome and compassionate in a matter of moments. Date, meanwhile, steps into the spotlight, successfully capturing the emotional and internal conflicts of Shinde, portraying him as a man of action. The supporting cast is largely restricted to cameos, and they don’t leave much of an impression.

Direction and Execution

Director Pravin Vitthal Tarde shows his talent in transforming simple scenes into high-energy, whistle-worthy moments, but these are few and far between. Unfortunately, the plot's focus on political messaging overshadows what could have been a gripping narrative. By the time the film reaches its second half, it becomes clear that the sequel is primarily designed to bolster Shinde’s image, leaving little room for meaningful storytelling.

Sequel for the sake of It

While the first Dharmaveer worked as a biographical account with broad appeal, the sequel feels unnecessary and overly long at 157 minutes. The film ends with a teaser for a third part, but given the political slant of this installment, one can only wonder if the next film will follow a similar path.

Final Verdict of 'Dharmaveer 2'

Dharmaveer 2 feels more like an extended election pitch than a cinematic experience. While it benefits from strong performances by Prasad Oak and Kshitish Date, the film’s political overtones and lack of genuine plot development make it a tiresome watch.

The biopic elements take a backseat to political agendas, making it clear that the film is more focused on appeasing its target audience than telling a compelling story.

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