The Sabarmati Report Review: Vikrant Massey Leads a Divisive Narrative

The Sabarmati Report Review: TSR Starring Vikrant Massey, revisits the tragic 2002 Godhra train burning incident that left 59 Hindu pilgrims dead. Directed by Dheeraj Sarna, this film attempts to dramatize the findings of the Nanavati-Mehta Commission, which deemed the tragedy a planned conspiracy.

While the film aims to investigate the truth, it struggles to balance its narrative, favoring one perspective over nuanced storytelling. With a runtime of 127 minutes, the movie mixes drama with political overtones, ultimately dividing audiences.

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Plot and Execution

The story revolves around Samar (Vikrant Massey), a struggling journalist whose career and life spiral downwards after his findings on Godhra are rejected by his news channel. Years later, with the support of Amrita (Raashii Khanna), Samar embarks on a mission to prove the train fire was no accident.

While the premise is gripping, the film falters by sidelining the broader context of the Godhra tragedy and the ensuing communal riots in Gujarat. The screenplay simplifies complex issues, often prioritizing emotional appeal over factual inquiry.

Themes and Portrayals

The film leans heavily on a dichotomy between Hindi and English journalism, portraying Hindi media as honest and English media as manipulative. This stark division undermines the role of vernacular and regional reporting during the 2002 events.

The Sabarmati Report also softens the portrayal of key political figures. The Gujarat CM during 2002 is fictionalized as a woman, and the current political leadership is shown in a largely positive light, leaving little room for critique.

Performances and Direction

Vikrant Massey, known for his sincere performances, does his best to add depth to Samar’s character. However, the script limits his potential by focusing on melodramatic speeches over subtle, impactful moments. Raashii Khanna and Riddhi Dogra provide decent support, but their characters lack development.

Initially helmed by Ranjan Chandel, who later exited the project, the direction feels uneven. Dheeraj Sarna attempts to balance a serious subject with moments of levity, but the result is inconsistent.

Final Verdict

The Sabarmati Report had the potential to be a thought-provoking film about one of India’s most tragic incidents. However, its over-reliance on emotional dramatization and political slant dilutes its impact. Despite Vikrant Massey’s efforts, the film struggles to rise above mediocrity.

The Sabarmati Report is currently playing in theatres.

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